Item Display - L'art médiéval est-il contemporain ?

Bibligraphic Information

Title

L'art médiéval est-il contemporain ?

Author

 

Publisher:

Brepols,

Pub date:

Cop 2023

Pages:

(247 p.)

Number of items

1 copie(s) available .
: On request : Open access : E-ressource available on-site

• Holdings

  Holdings

  Central Library	Number of copies	Material	Status	Location
  Unavailable on the shelves
  Call number : 709 / 1271	1	Book	Assumed lost Availabe SRL Available soon Being acquired by the library Being fixed/mended Being returned to standard shelving location Being transferred between libraries Claims lost Dans les échanges Lost Material at the bindery Material has been checked/charged out Newly acquired Not Available On Order On hold for someone Search in progress for item Unknown Waqf Withdrawn from the collection available user fast added item	Internet Intranet Invalide Magazine space Open Access Periodical room Periodical storeroom Rares Reserves UNKNOWN

MARC Record

ISBN:

978-2-503-59973-1

Language codes:

fre eng

Subject category:

SHS

096:

900

Dewey class number:

709.02

Other class number:

709

Title:

L'art médiéval est-il contemporain ? / édité par Charlotte Denoël, Larisa Dryansky, Isabelle Marchesin... [et al.]

Parallel title:

Is medieval art contemporary

Publication info:

Turnhout : Brepols, Cop 2023

Physical descrip:

(247 p.)

Series:

(Reinterpreting the Middle Ages : from Medieval to Neo ; 1)

General Note:

Contributions issues d'un colloque organisé à la Bibliothèque nationale de France en 2019

Summary:

This publication brings together essays by scholars of both medieval and contemporary art, offering a cross-disciplinary approach of both periods. It investigates how contemporary artists and contemporary art historians perceive medieval art, and, reciprocally, how medieval art historians envisage the echoes of medieval artforms and esthetics in contemporary art. The volume follows on from the symposium organized in conjunction with the exhibition "Make it New: Carte Blanche à Jan Dibbets" that was held at the Bibliothèque Nationale de France (Paris) in 2019, and which presented side by side Hrabanus Maurus’s De Laudibus Sanctae Crucis (In Praise of the Holy Cross), a masterpiece of Carolingian art, with works by artists associated with conceptual art, mininimal art, and land art.